DateCameraStartingEndingBatch
2/26/1959M1950001950300300
3/18/1959M1952016952500485
6/1/1959M1956501957000500
7/22/1959M19665019675001000
10/9/1959M1979501980500950
1/5/1961M110170011017500500
3/21/1961M110280011028600600
6/9/1961M110354011036000525
9/13/1961M1 (includes 5 M3)10400011040600600
3/16/1962M1 10460011046500500
6/20/1962M110500011050500500
11/5/1962M110600011060500500
3/11/1963M110675011068000370
7/2/1963M110740011074500500
10/11/1963M110850011085500500
1/16/1964M110910011091300300
7/10/1964M1 (includes 4 Post)10980011098300213
9/11/1964M111020011102500500
1/26/1965M111028011103000100
3/28/1960M1 green paint98045198050050
8/31/1961M1 green paint1035926103600075
9/10/1964M1 green paint1098101109818383
11/25/1957M2926001926200200
5/8/1958M29290019310002000
6/9/1958M2 with smaller window9310019330002000
8/6/1958M29350019375002500
9/8/1958M29375019400002500
9/12/1958M2 ELC93762193765030
9/26/1958M29400019429002900
10/31/1958M2 ELC942901943000100
11/3/1958M29440019460002000
12/1/1958M2946001947000800
12/4/1958M2 ELC946301946400100
12/9/1958M2 ELC946901947000100
12/9/1958M2947001947500500
12/9/1958M2 with self timer947501948000500
12/17/1958M2 ELC948501948600100
1/5/1959M2949101950000900
12/19/1958M2 with self timer949101949400300
6/22/1959M29605019615001000
6/22/1959M2 with self timer9605019605001000
1/19/1960M2 without self timer960501960801300
6/22/1959M2 from 960601 with new light window960601
7/22/1959M2967501968350850
8/24/1959M29700019715001500
10/9/1959M29750019765001200
1/19/1960M2 with self timer975801976100300
12/4/1959M29820019840001850
1/19/1960M2 with self timer982001982150150
12/7/1959M2 with self timer982901983500600
2/3/1960M2 ELC987201987300100
6/22/1960M2988351988650300
6/22/1960M2 with self timer988651989250600
2/10/1960M29892519907501250
2/10/1960M2 with self timer989251989650400
2/10/1960M2 with self timer989801990500700
4/13/1960M29937519960001850
5/31/1960M2 ELC995001995100100
5/31/1960M2 with self timer995101995400300
7/5/1960M210040011004150150
7/5/1960M2 with self timer100415010070002850
8/17/1960M2 ELC10053511005450100
9/26/1960M2101100110140003000
1/15/1961M2 (includes 200 ELC)101750110220004300
1/15/1961M2 ELC10179011018000100
1/15/1961M2 ELC10201011020200100
4/27/1961M2102860110318003200
7/28/1961M2 ELC1036001103605050
8/9/1961M2103635110380001600
1/5/1962M2 ELC1037951103800050
2/2/1962M210430011044000800
5/17/1962M2104800110500002000
6/20/1962M2105050110550004250
8/27/1962M2 ELC10549011055000100
11/5/1962M2106050110630002400
2/20/1963M2 ELC10617011061800100
3/11/1963M2106800110700002000
7/2/1963M2107450110770002500
10/10/1963M2108550110880002500
1/16/1964M2109130110938002150
3/16/1964M2 ELC1093751109380050
7/10/1964M2109830111000001600
8/19/1964M2 ELC10998011099900100
3/17/1965M211029011103000100
11/3/1964M2110300111050001900
1/26/1965M2 ELC11049011105000100
1/26/1965M2110700111090002000
4/29/1965M2111200111150003000
8/18/1965M2113030111330002600
11/8/1965M2 ELC11329011133000100
1/26/1966M2113700111390001900
4/18/1966M2 ELC11389011139000100
5/3/1966M2114200111450003000
9/30/1966M211614211162400980
9/30/1966M2116245111637701320
9/30/1966M211640471164550504
12/28/1966M211645511164845295
4/3/1967M21164941116500060
8/28/1969M2-R Chrome with M4 Rapid Loading124820112502002000
12/19/1958M2 Black948601949100500
3/21/1960M2 Black990501990750250
8/18/1961M2 Black10318011032000200
5/11/1962M2 Black10438011044000200
7/5/1960M2 Black with self timer.10051011005350250
10/24/1962M2 Black10531011053250150
8/5/1963M2 Black10750011075300300
4/8/1964M2 Black10935011093750250
8/18/1965M2 Black11300011130300300
11/24/1966M2 Black1162401116245050
7/12/1968M2 Black120700012070001
1/30/1967M2 M Motor 11637711164046276
Ed. Note: This was Leica's first electric motor drive M camera, appearing some 6 months before the M4-M. An unknown number of motorized M2's exist, modified by Leitz NY, without the M2-M engraving. Yet, the a motorized M2 was actually available five years earlier. The 1962 Camcraft N-5 Motor' made by Camcraft of Madison Wisconsin offered speeds to 3.6 frames per second at speeds from 1/50th to 1/1000th. Craftcraft offered to modify the M2, M1, or MP for motor use. It has a large separate battery pack, connected by coil similar to the separate battery pack originally used on the Nikon F. A MOOLY like lever on the front on the camera connected the shutter release to the motor underneath the camera which was attached to a somewhat awkward vertical style handgrip. Camcraft even offered 'remote activating devices' on special order. The motor was $298.50, the battery packs ran from $10.50 to 42.50. The wet cell charging device was $8.95 more. Somewhat later the noted camera repairman and photographic writer Norman Goldberg invented the 'Remodrive' manufactured by TPI (Technical Photomation Instruments) in Los Angeles. Leica liked the Remodrive design so much they bought the rights and manufactured it themselves, turning it into the M2-M and M4-M motor! Production of the 'Camcraft' and 'Remodrive' is unknown, but limited.
8/29/1960M2 Luftwaffe Grey (enamel)1005751100577020

Ed: Please note earlier M3's could be updated by Leica and Leica authorized repairmen with later M3 features. The most common updates were updates from double stroke advance to single stroke advance, and the addition of the frameline preview lever.

1/1/1955M3 (Exact Date Unrecorded)7000007000001
1/1/1954M3 (Exact Date Unrecorded)70000171000010000
1/1/1955M3 (Exact Date Unrecorded)73000174645016449
1/1/1955M3 ELC (Exact Date Unrecorded)74645174650050
1/1/1955M3 (Exact Date Unrecorded)7465017500003500
1/1/1955M3 (Exact Date Unrecorded)7500017597009700
1/1/1955M3 ELC (Exact Date Unrecorded)759701760000300
1/1/1955M3 (Exact Date Unrecorded)7750017800005000
1/1/1955M3 ELC (Exact Date Unrecorded)780001780100100
1/1/1955M3 (Exact Date Unrecorded)7801017870006900
1/1/1955M3 from 782001 top plate changed, without 4 screw holes782001..
1/1/1955M3 from 785801 with preview lever785801..
1/1/1955M3 (Exact Date Unrecorded)8000008075007500
1/1/1955M3 ELC (Exact Date Unrecorded)805001805100100
3/21/1956M38160018205004400
3/23/1956M3 ELC816901817000100
6/15/1956M3 ELC829851830000150
5/4/1956M38300018375007500
7/21/1956M3 ELC837501837620120
1/1/1956M3 (Exact Date Unrecorded)8377218396201900
1/1/1956M3 ELC (Exact Date Unrecorded)83962183970080
1/1/1956M3 (Exact Date Unrecorded)839701840500800
1/1/1956M3 ELC (Exact Date Unrecorded)840501840820320
1/1/1956M3 (Exact Date Unrecorded)8408218450004180
10/26/1956M3 ELC844781845000220
11/5/1956M38510018540003000
1/5/1957M3 new shutter speed sequence8540018580004000
1/5/1967M3 from 856000 with metal film pressure plate rather than glass856000..
2/14/1957M38620018666204620
3/22/1957M3 ELC866621867000380
3/25/1957M38720018770005000
6/5/1957M38820018867004700
7/30/1957M3 ELC886701887000300
8/13/1957M38930018980004430
8/26/1957M3 ELC894001984570570
9/25/1957M38980019030005000
11/25/1957M3 ELC903001903300300
11/28/1957M39100019160005700
11/20/1957M3915001915200200
1/14/1958M39160019192503250
3/26/1958M3 with depth of field mask, single stroke film advance9192519245005229
4/22/1958M3 ELC still with double stroke film advance924401924500100
4/23/1958M39267019290002300
2/26/1959M39503019519001600
3/19/1959M3 ELC951901952000100
4/15/1959M39525019550002300
4/22/1959M3 ELC954801954900100
4/29/1959M3 ELC954901955000100
5/14/1959M39570019594002400
6/24/1959M3 ELC961501961700200
6/24/1959M39617019665004800
7/22/1959M3 ELC968351968500150
8/24/1959M39720019747002700
10/2/1959M3 ELC974701975000300
10/9/1959M39765019795003000
12/7/1959M3 ELC984001984200200
12/7/1959M39842019870002800
2/3/1960M3 ELC987001987200200
2/10/1960M39907519937502750
4/13/1960M399600110000004000
5/31/1960M3 ELC998001998300300
7/5/1960M3100000110040004000
7/5/1960M3 # 1000070 exists two times10000701000070.
8/17/1960M3 ELC10037011004000300
9/13/1960M3100700110110004000
11/21/1960M3 ELC10140011014300300
11/21/1960M3101430110170002700
1/19/1961M3102200110280005500
1/19/1961M3 ELC10227011023000300
4/13/1961M3 ELC10278011028000200
6/9/1961M3103200110354003400
7/28/1961M3 ELC10360511036350300
8/9/1961M3103800110400001800
9/13/1961M3 5 made with M1 batch # 1040067 1040068, 1040071, 1040095, 1040096104006710400965
10/11/1961M3104060110430002400
2/2/1962M3104400110460002000
3/16/1962M3104650110480001300
6/12/1962M3 ELC10478011048000200
6/20/1962M3105500110600004800
11/5/1962M3106300110675004100
11/21/1962M3 ELC10650011065200200
3/11/1963M3107000110740004000
7/2/1963M3107700110800003000
10/10/1963M3108800110910003000
1/16/1964M3109380110980004050
3/16/1964M3 ELC1097851109800015
7/10/1964M3110000111020001950
11/3/1964M3110500111070001900
1/26/1965M3 ELC11069011107000100
1/26/1965M3110900111105001500
4/29/1965M3111050111120001500
6/30/1965M3112840111300001600
9/7/1965M3113300111360003000
11/8/1965M3 ELC11350011135100100
2/11/1966M3 with Star11350011135100100
1/26/1966M3113900111410001900
4/18/1966M3 ELC11409011141000100
5/3/1966M3115500111580003000
9/30/1966M311580011158500500
9/30/1966M311585111158995485
2/2/1967M31164846116486520
6/3/1959M3 Black959401959500100
3/21/1960M3 Black993501993750250
8/18/1961M3 Black10388011039000200
10/24/1962M3 Black10598501059999150
8/5/1963M3 Black10785011078800300
4/8/1964M3 Black10977011097850150
11/12/1965M3 Black11340011134150150
12/2/1966M3 Black1157591115760010
1/26/1967M3 Black1158501115851010
12/20/1957M3 Green (enamel)910501910600100
3/26/1958M3 Green (enamel)92050192025121
9/10/1964M3 Green (enamel)1100401110045050
2/6/1967M3 Green (enamel)115899611590005
7/30/1968M3 Green (enamel)1206962120599938
9/27/1956MP11111
2/14/1957MP12500489
6/24/1957MP Black13150137
6/24/1957MP Chrome151450298
6/24/1957MP Black2132142
Ed. Note: Per Nakamura's 'Leica Collection,' only 137 black MP's from MP13 to MP150 were produced, and only 251 chrome MP's numbered MP151 to MP402 respectively. He states production was stopped due to poor sales. Buyer beware. For every MP that left the factory, there are probably 20 or more being offered for sale with the same serial number.
8/19/1958MP293550193551212
4/3/1959MP295200195201515
11/28/1966M4117500111780003000
4/27/1967M4 ELC11780011178100100
12/28/1966M4117810111850006900
7/19/1967M4 ELC11830011183100100
7/19/1967M41185001119500010000
5/3/1968M4120748112150007520
1/22/1969M4122580112350009200
1/2/1970M4125020112546504450
11/24/1970M4126750112739216421
1/20/1975M4 Canada14125511413350800
Ed: Earlier Black M4's had a black enamel finish, later M4's (presumably dating from about the introduction of the M5) used a black chrome finish. The black enamel M4's generally command a premium to collectors over the black chrome.
7/20/1967M4 Black11815011182000500
5/3/1968M4 Black11851511185290140
5/3/1968M4 Black12070011207480480
1/22/1969M4 Black12250011225800800
8/28/1969M4 Black124620112481001900
6/11/1970M4 Black12660011266100100
6/11/1970M4 Black12661321267100969
2/4/1971M4 Black12862011286700500
1/16/1974M4 Black1380001400400
1/16/1974M4 Black repro1380401138045050
1/16/1974M4 Black138045113820501600
1/16/1974M4 Black engraved E. Leitz Canada13820511382600550
6/7/1974M4 Black13840011384600600
1/20/1975M4 Black141335114141501800
7/22/1975M4 Black14141511415000850
7/22/1975M4 Black14430011443170170
Ed. Note: Reportedly about 200 M4's were built on MDa bodies. They are identifiable by their lack of a self timer, and the insert for the MDa data strip. Pics of # Black M4 1414964 can be seen here.
8/18/1967M4-M11850011185300300
5/29/1969M4-M1206737120675115
12/1/1968M4 Mot12067521206891140
6/11/1970M4 Mot12671011267500400
12/4/1970M4 Mot12740011274100100

Leica Summicron-m 50mm F2 Serial Numbers

Ed. Note: All M4-M's and M4-MOT's I have seen were black enamel, as opposed to the later black chrome finish. Apparently a good number of these were sold to the US Navy. About half I have seen are former US Navy cameras, usually in beaten condition. Per the Leica Viewfinder, October 1973, 35 M4-MOTs were converted to data cameras with a MDa type data strip and the removal of their motor connection.
10/8/1970M4 Green (enamel)1266101126613131
8/20/1971M4 KE-7 (black chrome)12945011295000500
8/31/1972M4 KE-7 (black chrome)129377112937755
12/7/1977M4-2 ELC148000114820002000
4/4/1978M4-2 ELC150200115040002000
7/6/1978M4-2 ELC150400115060002000
12/12/1978M4-2 ELC150600115080002000
6/27/1979M4-2 ELC152535115273502000
9/27/1979M4-2 ELC152735115293502000
11/16/1979M4-2 ELC152935115313502000
1/16/1980M4-2 ELC153135115333502000
M4-2 HALF FRAME: Ed: Please note this Leica supplied list has ZERO M-4-2 Half Frames as production cameras
2/16/1993M4-2 gold193200119320022
50mm

Leica Summicron Vs Summilux 50mm

7/1/1980M4-P154335115453502000
10/21/1980M4-P154635115483502000
11/26/1980M4-P154835115503502000
2/19/1981M4-P155035115523502000
10/21/1981M4-P156235115643502000
1/7/1982M4-P158635115883502000
1/22/1982M4-P158835115903502000
9/15/1982M4-P160455116065502000
1/12/1983M4-P161855116205502000
4/15/1983M4-P162055116225502000
8/10/1983M4-P163655116375501000
1/17/1984M4-P164255116437501200
3/6/1984M4-P164925116512502000
3/4/1986M4-P ELW Assembled in Wetzlar 169195116929501000
Ed. Note: Some later M4-P's have M6 features such as a flush viewfinder windows and single sync post. More Info:
M4-P HALF FRAME: Ed: Please note this Leica supplied list has ZERO M-4-P Half Frames as production cameras
3/4/1986M4-P ELW, 270 of which are M6, but numbers not recorded, Canada engraving169195116929501000
Ed: Black M5's used the newly introduced Black Chrome finish instead of the previous black enamel, which would go on to become the standard black finish of later M's. The M5 was the first production camera to use Black chrome. The second was the 110 format Kodak Instamatic 60 'Pro.' Collectors have lamented the change ever since.
2/4/1971M5 0-Series12870011287250250
8/18/1971M5 Black12872511288000750
10/1/1971M5 Black128900112914002400
4/19/1972M5 Black134700113500003000
8/15/1972M5 Black135000113540004000
12/11/1972M5 Black135650113600003500
2/27/1973M5 Black136300113650002000
10/12/1973M5 Black137500113780003000
4/18/1974M5 Black138300113840001000
8/18/1971M5 Chrome128800112890001000
10/1/1971M5 Chrome129140112930001600
1/5/1972M5 Chrome129650113000003500
4/19/1972M5 Chrome134500113470002000
8/15/1972M5 Chrome135400113550001000
12/11/1972M5 Chrome135500113565001500
2/27/1973M5 Chrome136150113630001500
11/8/1973M5 Chrome137800113790001000
4/18/1974M5 Chrome13826011383000400
6/1/1992M5 Chrome1918001191802020
7/16/1971CL1300001133500035000
2/25/1974CL1395001141000015000
6/7/1974CL1425001144000015000
7/30/1984M6165725116592502000
1/21/1985M6166535116693504000
5/8/1985M6167435116783504000
6/16/1985M6167835116823504000
10/22/1985M6 Chrome16823511682950600
2/7/1986M6168795116919504000
8/19/1986M6170145117046003150
8/19/1986M617048001705450650
11/14/1986M6 chrome170545117074502000
11/12/1986M6 black170745117114504000
1/6/1987M6 chrome171145117144503000
7/3/1987M6 black172445117284504000
2/25/1988M6 chrome173845117414503000
2/25/1988M6 black174145117454504000
10/20/1988M6 chrome175545117584503000
10/28/1988M6 black175845117624504000
8/25/1989M6 chrome177250117750002500
4/12/1990M6 chrome17770011777500500
6/29/1990M6 black177900117820003000
10/8/1990M6 black178300117860003000
1/28/1991M6 chrome17900011790500500
2/1/1991M6 chrome17905011791000500
4/16/1991M6 chrome179300117945001500
4/26/1991M6 black179450117970002500
8/22/1991M6 chrome190350119045001000
9/4/1991M6 black190450119065002000
9/4/1991M6 chrome190650119075001000
4/3/1992M6 chrome191400119150001000
4/28/1992M6 black191500119180003000
6/1/1992M6 chrome191802119190201000
9/4/1992M6 chrome192600119280002000
10/27/1992M6 chrome192800119310003000
12/10/1992M6 chrome193100119320001000
5/25/1993M6 chrome193500119360001000
6/17/1993M6 chrome193600119370001000
10/1/1993M6 chrome199100119930002000
11/15/1993M6 black199500119970002000
3/17/1994M6 chrome20000112000999989
6/15/1994M6 chrome20013542001999645
7/11/1994M6 chrome20021012003000900
7/28/1994M6 black200300120040001000
8/15/1994M6 chrome200400120050001000
9/6/1994M6 chrome20050012005941941
9/6/1994M6 black200594220070001059
11/7/1994M6 chrome200900120110002000
1/17/1995M6 black206300120650002000
4/10/1995M6 chrome216800121700002000
6/12/1995M6 black217120121730001800
8/10/1995M6 chrome217400121760002000
9/27/1995M6 black217900121810002000
12/1/1995M6 chrome218400121850001000
12/7/1995M6 chrome223500122360001000
5/29/1996M6 black227900122805001500
9/10/1996M6 black22841262284999874
10/14/1996M6 chrome228750122885001000
10/17/1996M6 black228850122895001000
10/24/1996M6 chrome228950122905001000
4/16/1997M6 chrome233100123320001000
6/3/1997M6 black241400124160002000
7/15/1997M6 chrome241800124190001000
7/28/1997M6 chrome241900124200001000
10/15/1997M6 chrome242200124230001000
10/17/1997M6 black242300124250002000
10/22/1997M6 chrome242500124270002000
1/23/1998M6 chrome24315012431600100
1/23/1998M6 black24316012431800200
2/5/1998M6 black243180124338002000
4/24/1998M6 black245580124578002000
6/8/1998M6 chrome2463801246385050
6/8/1998M6 black24638512464100250
6/26/1998M6 black24701012470300200
3/4/1986M-6 Canada engraving, 270 with unrecorded numbers in a batch of 1000 M4-P ELW 16919511692950270
1/19/1989M6 platinum175700117580011000
8/25/1989M6 special engraving for Japan17740011774125125
9/8/1992M6 Columbus engraving chrome19071011907300200
12/10/1992M6 Rooster 19282001928300100
12/10/1992M6 Rooster19290011929199200
10/11/1993M6 Foto Royal engraving19370011937101101
11/10/1993M6 LHSA engraving chrome19380001938150150
2/3/1994M6 gold Thailand200000020000001
6/3/1994M6 gold with Brunei engr.20010002001353350
6/3/1994M6 Royal-England engr.20020002002100100
8/10/1995M6 gold Thailand21760012176700700
8/10/1995M6 platinum Brunei21770012177250250
4/9/1996M6 platinum Brunei22780012278211200
4/9/1996M6 platinum Schmidt Group (151 out of 288)22783012278588151
7/12/1996M6 platinum with diamond Brunei22830012283125125
7/12/1996M6 gold with diamond Brunei22832012283325125
7/12/1996M6 platinum22834012283525125
7/12/1996M6 gold22836012283625125
3/18/1997M6 stock exchange engr.for Leica Museum 1230000023000001
3/18/1997M6 stock exchange engr.23000012300996996
6/19/1998M6 TTL246610124701004000
9/24/1998M6 TTL247030124753005000
1/5/1999M6 TTL247730124823005000

M's without Viewfinders for scientific use

9/11/1964MD11025011103000300
6/30/1965MD11280011128400400
10/14/1965MD11360011136500500
1/26/1966MD11365011137000500
5/3/1966MD114100111420001000
9/30/1966MD11602011160769566
4/27/1967MD1160770116082051
Ed. Note: Per Nakamura's 'Leica Collection, ' the first 10 MD's had a hammer tone finish.

Summicron 50mm Review

12/28/1966MDa115900111602001200
9/30/1966MDa116024711602493
4/27/1967MDa1160821116086343
12/28/1966MDa11608641161420557
4/2/1968MDa120500112070002000
8/28/1969MDa124500112462001200
3/9/1970MDa12546511255000350
6/11/1970MDa126500112660001000
12/4/1970MDa12741011275000900
2/4/1971MDa128500112862001200
8/20/1971MDa129300112940001000
12/5/1972MDa with flash lock1293673129377098
5/16/1972MDa with flash lock12937761293877102
12/11/1972MDa136000113610001000
2/27/1973MDa13610011361500500
11/8/1973MDa137900113800001000
7/3/1974MDa13846011385000400
1/20/1975MDa141000114125502550
Ed. Note: An unknown small number of MDa were factory motorized for the M4-M motor using an AC power source. They had both standard 'MDa' and 'MDa-MOT' engravings. Two examples are illustrated in Nakamura's 'Leica Collection.' and in Satorious's 'Identifying Leica Cameras.'
7/14/1980MD-2154535115463501000
2/10/1984MD-216487511649250500
12/6/1984MD-216642511664350100
8/19/1986MD217046011704800200

Leica 50mm Summicron Apo Review

12/8/1967Postcamera 24x271185291118530010
10/24/1968Postcamera 24x361206392120694150
10/24/1968Postcamera 24x271206942120696120
2/22/1971Postcamera 24x27127392212739254
2/22/1971Postcamera 24x36127392612740075
1/16/1972Postcamera 24x271286701128676060
12/3/1975Postcamera 24x271286761128682261
5/16/1972Postcamera 24x2712938781294000123

Home

Revised: August 18, 2008. Copyright © 1999 Stephen Gandy. All rights reserved. This page is copyrighted. You are welcome to use it for your own use. You may link to it if you have a photography site. You may not paste it into another site for any reason, nor distribute copies of it in any form. All rights reserved. Stephen Gandy http://CameraQuest.comInformation in this document is subject to change without notice. Other products and companies referred to herein are trademarks or registered trademarks of their respective companies or mark holders.
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Leitz and Leica Lens Compendium and Leica Serial Numbers (a work in progress)
Above: The Leica Apo-Telyt-R 400mm/560mm module, the Leica Summilux-M ASPH 75mm f1.4 and the Leica Summilux-M ASPH 35mm f1.4
Also visit:
Leica Camera Compendium
Leica History
Leica Definitions
leica.overgaard.dk
Overgaard Workshops
Leica Lens Compendium
Latest update, July 20, 2019
Thanks to Justin Scott, Melbourne, Australia for the foundation of this compendium.
Additional R data courtesy of Douglas Herr of WildlightPhoto.com
Thanks for addition information from Leica Camera AG and Ken Rockwell

Lens
F/
Intro.
Code
Info

Leica fixed prime lenses

Fixed lenses on cameras
Summarit (Leica Minilux) 40mm 2.4
1995
Summarit (Leica CM) [said to have improved coating] 40mm 2.4
2007
Anastigmat (Leitz I) 50mm 3.5
1920
Elmax (Leitz I) 50mm 3.5
1925
Elmar (Leitz Elmar I close-focus) 50mm 3.5
1926
LEICA
Anastigmat (Leitz II retro) 50mm 3.5
18 010
2002
Leica Digilux (Leica Digilux) 35mm 3.2
Leica Elmarit ASPH on Leica X1 (36mm equivalent )24mm 2.8
-
Leica Summilux ASPH on Leica Q Typ 116 and Leica Q228mm 1.7
2015

Leica fixed zoom lenses

Fixed zoom lenses on cameras
Vario-Elmar (Leica Minilux Zoom) 35 - 70mm 3.5 - 6.5
Vario-Elmar (Leica CM Zoom) 35 - 70mm 3.5 - 6.5
2007
DC Vario-Summicron ASPH 7-21mm (Digilux 1) 33-100mm 2.0 - 2.5
2000
DC Vario-Summicron ASPH 7-22mm (Digilux 2) 28 - 90mm 2.0 - 2.4
2006
DC Vario-Elmarit ASPH 7.4 - 88.8mm (Leica V-Lux 1) 35 - 420mm 2.8 - 3.7
2006
DC Vario-Elmarit ASPH 6.3 - 25.2 mm (Leica D-Lux 2) 28 - 110mm 2.8 – 4.9
DC Vario-Elmarit ASPH 6.3 - 25.2mm(Leica D-Lux 3) 28 - 110mm 2.8 - 4.9
2007
DC Vario-Elmarit ASPH 4.6 - 16.8mm (Leica C-Lux 1) 28 - 102mm 2.8 - 5.6
2006
DC Vario-Elmarit ASPH 4.6 - 16.8mm (Leica C-Lux 2) 28 - 102mm 2.8 - 5.6
2005

Leica Screw Mount Lenses 'M39' 'LMT'

Screw-thread lenses for Leica II, 250FF, III, 250GG, IIIa, IIIb, IIIc, IIc, Ic, IIIf, If, IIf, If, IIIg, Ig
(most are compatible with Leica M3, M4, M5, M6, M7, M8, M9, ME and Leica M Type 240 with an adaptor)
Super-Angulon (Schneider) 21mm 4.0
1958
SUOON
Hektor (chrome) 28mm 6.3
1935
HOOPY
Hektor (nickel) 28mm 6.3
1945
Hektor (chrome) 28mm 6.3
1946
HOOPY
Summaron 28mm 5.6
1963
Elmar (nickel heavy cam) 35mm 3.5
1930
EKURZ
Elmar (nickel) 35mm 3.5
1933
Elmar (chrome) 35mm 3.5
1933
EKURZ
Elmar (chrome post-war) 35mm 3.5
1950
Summaron A36 35mm 3.5
1948
SOONC
Summaron E39 35mm 3.5
1960
Summaron 35mm 2.8
1958
SIMOO
Summicron (I) [Lens design by Dr. Walter Mandler]35mm 2.0
11 008
1963
Hektor (nickel) <100,000 50mm 2.5
1930
HEKTO
Elmar 50mm 3.5
1930
Hektor (nickel) 50mm 2.5
1931
HEKTO
Elmar nickel 50mm 3.5
1936
Hektor (chrome) 50mm 2.5
1933
HEKTO
Summar (chrome rigid) 50mm 2.0
1940
Summar (chrome) 50mm 2.0
1933
SUMAR
Summar (nickel rigid) 50mm 2.0
1940
Summar (nickel) 50mm 2.0
1933
SUMAR
Elmar chrome A36 uncoated 50mm 3.5
1945
Xenon (Schneider) 50mm 1.5
1936
XEMOO
Xenon (Schneider) Taylor-Hobson 50mm 1.5
1950
Summitar < 600,000 50mm 2.0
1939
SOORE
Elmar chrome A36 post-war 50mm 3.5
1951
Summitar > 600,000 50mm 2.0
1946
SOORE
Summarit 50mm 1.5
1960
Summitar * 50mm 2.0
1950
SOORE
Elmar 'red scale' 50mm 3.5
1959
Summicron (collapsible) < 1,000,000 50mm 2.0
1953
SOOIC
Summicron (collapsible) 50mm 2.0
1960
Summicron (II) (rigid) 50mm 2.0
1956
SOOIC
Elmar 50mm 2.8
1962
Summicron (II) Compur 50mm 2.0
1959
SOOIC
Summilux (I) 50mm 1.4
1963
Hektor (all black) 73mm 1.9
1931
HEGRA
Hektor 73mm 1.9
1946
Summarex (black) 85mm 1.5
1948
SOOCX
Summarex (chrome) 85mm 1.5
1960
Elmar (un-coupled) fas90mm 4.0
1930
ELANG
Elmar (thick < 100,000) 'Thick Niner'90mm 4.0
1931
Elmar (thick coupled) 'Thick Niner'90mm 4.0
1931
ELANG
Elmar (black nickel) 'Thin Niner'90mm 4.0
1933
Elmar (black) 'Thin Niner'90mm 4.0
1933
ELANG
Thambar90mm 2.2
1939
Elmar (all chrome) 90mm 4.0
1946
ELANG
Elmar (chrome A36) 90mm 4.0
1954
Elmar (chrome E39) 90mm 4.0
1954
ELANG
Summicron (I) removable lens-hood [Dr. Walter Mandler] 90mm 2.0
1959
Summicron (I) [Lens design by Dr. Walter Mandler]90mm 2.0
1959
SEOOF
Elmarit 90mm 2.8
11 029
1963
Elmar (3 element) 90mm 4.0
1964
ELANG
Elmar (black) 105mm 6.3
1937
Elmar (chrome) 105mm 6.3
1933
ELZEN
Elmar 135mm 4.5
1936
Hektor (black) 135mm 4.5
1933
HEFAR
Hektor A36 135mm 4.5
1954
Hektor E39 135mm 4.5
1954
HEFAR
Elmar 135mm 4.0
11 750
1964
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Leica M lenses

M Bayonet-mount lenses for Leica
LeicaM1, Leica M2, Leica M2R, Leica M3, Leica M4, Leica M4-2, Leica M4-P, Leica M5, Leica MD, Leica MDa, Leica MD-2, Leica CL, Minolta CL, Leica M6, Leica M6 TTL, Leica M7, Leica MP, Leica M-A
Digital rangefinders: Leica M8, Leica M8.2, Leica M9, Leica M9-P, Leica M-E, Leica M Monochrom, Leica M Type 240, Leica M-P Typ240, Leica M 246 Monochrom, Leica M 262, Leica M Edition 60, Leica M-D 262, Leica M10, Leica M10-P, Leica M10-D, Leica M10 Monochrom
The lenses marked with 6* are the lenses that can be updated with 6-bit code. Contact Leica Camera AG Customer Care for price and shipping.
Hologon (Zeiss) 15mm 8.0
11 003
1976
Super-Elmar-M ASPH 18mm 3.8
2009
Super-Angulon (Schneider) 21mm 4.0
11 102
1963
Super-Angulon chrome (Schneider, designer Werner Wagner) 21mm 3.4
1963
Super-Angulon black (Schneide, designer Werner Wagnerr) 21mm 3.4
11 103
1980
Elmarit-M [Lens design by Dr. Walter Mandler]21mm 2.8
1980
6*
Elmarit-M ASPH black21mm 2.8
11 135
2011
Elmarit-M ASPH silver21mm 2.8
1997
PDF 6*
Summilux-M ASPH (design by Peter Karbe)21mm 1.4
-
Super-Elmar-M ASPH (design by Peter Karbe)21mm 3.4
2011
Tri-Elmar-M ASPH 16/18/21mm 4.0
?
-
Elmarit-M ASPH black24mm 2.8
1998
PDF 6*
Elmarit-M ASPH silver24mm 2.8
11 898
2005
Summilux-M ASPH (design by Peter Karbe) 24mm 1.4
2008
Elmar-M ASPH (design by Peter Karbe) 24mm 3.8
-
Elmarit (I) 28mm 2.8
1965
Elmarit (II) 28mm 2.8
11 801
1980
Elmarit-M (III) 28mm 2.8
1979
PDF 6*
Elmarit-M (IV) 28mm 2.8
11 809
2006
Tri-Elmar-M ASPH black28/35/50mm 4.0
1998
PDF 6*
Tri-Elmar-M ASPH silver28/35/50mm 4.0
11 894
2000
Summicron-M ASPH Version I black 28mm 2.0
2000
PDF 6*
Summicron-M ASPH silver anodized alu (limited production 500 pcs) 28mm 2.0
11 661
2008
Summicron-M ASPH Version II black. Updated optical design with improvements for digital use (coatings and higher resution power). 28mm 2.0
2018
PDF 6*
Summicron-M ASPH sepia brown limited edition Lenny Kravitz.
Made for the 'Drifter' limited adition set (125 pcs made) of Leica M 246 Monochrom, 28mm Summicron and 75mm APO-Summicron. Camera and lenses all in sepia brown with brass details.
28mm2.0
2019
Elmarit-M ASPH 28mm 2.8
2006
PDF 6*
Summilux-M ASPH stainless steel limited anniversary edition
Limited production of 101 pcs to go with a Leica M-A film camera and M Monochrom camera in celebration of the Leica 100 year anniversary. The set with two cameras and three lenses (28mm, 35mm and 50mm Summilux lenses) is all in stainless steel.
28mm 1.4
2014
Summilux-M ASPH black28mm 1.4
2015
ArticlePDF
Summilux-M ASPH silver limited edition in 300 pcs.28mm 1.4
11 911
2019
Summaron-M chrome brass
(Remake of the 1955-1963 screw mount version)
28mm 5.6
2016
Summaron-M matte black
(Matte black version of the 2016 remake of the 1955-1963 screw mount version, now with M-mount. First as Japan limited edition in only 50 pcs in 2018 (numbered 01/50 etc serials on front), then made as a Leica worldwide limited edition in 2019 in 500 pcs)
28mm 5.6
11 928
2019
Summaron 35mm 3.5
1956
SOONC
Summicron (I) [Lens design by Dr. Walter Mandler]35mm 2.0
11 308
1969
Summicron (I) black 35mm 2.8
1958
SAWOM
Summaron 35mm 2.8
1974
Summilux (I) [Lens design by Dr. Walter Mandler]35mm 1.4
1961
Summilux (II) [Lens design by Dr. Walter Mandler]35mm 1.4
11 870
1995
Summicron (II) [Lens design by Dr. Walter Mandler]35mm 2.0
1969
Summicron (III) [Lens design by Dr. Walter Mandler]35mm 2.0
11 309
1979
Summicron-M (IV) black [Lens design by Dr. Walter Mandler]
Version 4, also knowns as 'King of Bokeh'. German/Canada vers. Serial 2974251 to 3880946. 10 aperture blades.
Exists with Yellow /white and red /white focusing scale.
35mm 2.0
1979
Article 6*
Summicron-M (IV) silver [Lens design by Dr. Walter Mandler]
Version 4, also knowns as 'King of Bokeh'. German/Canada vers. Serial 2974251 to 3880946. 10 aperture blades. Approximately 10% of existing lenses was made in silver.
35mm 2.0
11 311
1997(9)
260g
Summilux-M Aspherical (III)35mm 1.4
1990
Summilux-M ASPH (IV) black35mm 1.4
11 874
2011
250g
Summilux-M ASPH (IV) silver35mm 1.4
1994
Article 6* PDF
Summicron-M ASPH black35mm 2.0
11 879
-
255g
Summicron-M ASPH silver35mm 2.0
1996
Article 6* PDF
Summarit-M35mm 2.5
-
Summilux-M ASPH (V) FLE FLoating Elements [by Peter Karbe]35mm 1.4
2010
Summilux-M ASPH Titanium (V)FLE limited edition with M9 Titanium,500 pcs. only, [Peter Karbe & Walter de'Silva]35mm 1.4
2010
Summilux-M ASPH (V) FLE stainless steel limited anniversary edition
Limited production of 101 pcs to go with a Leica M-A film camera and M Monochrom camera in celebration of the Leica 100 year anniversary. The set with two cameras and three lenses (28mm, 35mm and 50mm Summilux lenses) is all in stainless steel.
35mm 1.4
2014
Elmarit-C 40mm 2.8
11 541
1973
Summicron-C 40mm 2.0
1973
Elmar E39 50mm 3.5
11 610
1961
Summicron (II) Rigid [Lens design by Dr. Walter Mandler]50mm 2.0
1956
SOSIC
Summicron 'DS' (II) 50mm 2.0
1968
Elmar 50mm 2.8
1958
ELMOM
Summilux (I) 50mm 1.4
1961
Summicron (II) black 50mm 2.0
1960
SOSIC
Summilux (II) [Lens design by Dr. Walter Mandler]50mm 1.4
11 113
11 114
1992
360g
Summilux (III) black [Lens design by Dr. Walter Mandler]50mm 1.4
1992
6*
Summilux (III) silver [Lens design by Dr. Walter Mandler]50mm 1.4
11 856
2004
380g
Noctilux black50mm 1.2
1966
Noctilux silver (prototype)50mm 1.2
1966
ELCAN Summicron. 460 pcs. was made for the military Leica KE-7A and another 55 sold to the public. 50mm 2.0
1969
ELCAN Summicron collapsible. Prototype. 50mm 2.0
C276
1969
Summicron (III) 50mm 2.0
1969
6*
Noctilux-M [Lens design by Dr. Walter Mandler]50mm 1.0
11 821
1993
580g
Noctilux-M [Lens design by Dr. Walter Mandler] built-in hood50mm 1.0
1994
Article 6* PDF
Summicron-M (IV) black [Lens design by Dr. Walter Mandler]50mm 2.0
11 819
11 826
1994
Summicron-M (IV) silver [Lens design by Dr. Walter Mandler]50mm 2.0
1992
PDF 6*
Summicron-M (IV) silver [Lens design by Dr. Walter Mandler]50mm 2.0
11 816
2007
Elmar-M (collapsible) black50mm 2.8
1995
PDF 6*
Elmar-M (collapsible) silver50mm 2.8
11 823
2007
Summicron-M '50 Jahre SUMMICRON' chrome (lens design is the same as 1979-model '11 826', the lens body is chrome with silver in classic design; but without the locking mechanism at infinity)50mm 2.0
2003
1,000 made
(APO-) Summilux-M ASPH (design by Peter Karbe) black50mm 1.4
11 891
-
335g
(APO-) Summilux-M ASPH (design by Peter Karbe) silver50mm 1.4
2004
6*
(APO-) Summilux-M ASPH LHSA Silver (design by Peter Karbe)
Silver limited LHSA edition in 1959 barrel design made of brass.
50mm 1.4
11 628
2005
(APO-) Summilux-M ASPH LHSA Black (design by Peter Karbe)
Black Paint limited LHSA edition in 1959 barrel design made of brass with ventilated hood in brass black paint (part no 12 586).
50mm 1.4
2005
6*
(APO-) Summilux-M ASPH stainless steel limited anniversary edition
Limited production of 101 pcs to go with a Leica M-A film camera and M Monochrom camera in celebration of the Leica 100 year anniversary. The set with two cameras and three lenses (28mm, 35mm and 50mm Summilux lenses) is all in stainless steel.
50mm 1.4
2014
(APO-) Summilux-M ASPH Black Paint Brassed Lenny Kravitz
(design by Peter Karbe)
Black limited edition in 1959 barrel design as part of the Lenny Kravitz 'reporter' set delivered in a suitcase with M240 black paint camera. All parts brassed and then added a clear lacquer.
50mm 1.4
2015
6*
(APO-) Summilux-M ASPH Black Chrome (design by Peter Karbe)
Black edition made of brass in 1959 barrel design, with bass clip-on hood. 500 pcs made, serial 4316136 to 4317002.
50mm 1.4
11 688
2015
Summarit-M50mm 2.5
2007
Noctilux-M ASPH black (design by Peter Karbe)50mm 0.95
-
Noctilux-M ASPH silver (design by Peter Karbe).
20 pcs. Limited Edition celebrating Leica Shop Vienna 20 year anniversary on June 16, 2011. Sold as set with either the Leica M9-P in silver or the Leica M3-P (another 20 screw-trad were made for this) film camera in silver.
50mm 0.95
2011
Noctilux-M ASPH silver (design by Peter Karbe).
50 pcs. Limited Edition celebrating Leica Store Ginza Tokyo anniversary in March 2012. Sold as set with the limited edition white Leica M9-P in silver.
50mm 0.95
2012
Noctilux-M ASPH silver Hermes Limited Edition set
Lens design by Peter Karbe, lens and camera body re-design by Walter de'Silva.
This is a redesign of the lens barrel texture, in anodized silver and with Hermes orange numbers. Body re-design in silver chrome finish with Veau Swift burnt tan calfskin leather. Only available in 100 pcs. limited set of Leica M9-P Hermes Limited Edition Jean-Louis Dumaswith three lenses; 50mm Noctilux, 50mm Summilux and 28mm Summicron. Also with a limited edition Hermes Camera Bag.
Price for the set at the release date May 10, 2012 - delivery July 2012- was € 40,000 / $ 50,000 for the set.
Another 300 sets Leica M9-P Hermes Limited Edition with the Leica 50mm Summilux-M ASPH Hermes Limited Edition was released as well, price € 20,000 / 25,000$.
28mm (100 pcs)
50mm (100 pcs)
50mm (400 pcs)
2.0
0.95
1.4
2012
APO-Summicron-M ASPH50mm 2.0
ELCAN-M (produced for the US millietary) 66mm 2.0
1964
'Noctilux' special lens attached to M3 camera (prototype?)75mm 0.85
Leitz Summilux-M [Lens design by Dr. Walter Mandler]
60mm filters, 490g, bayonet hood 12 539. Same optics 1980-2007.
75mm 1.4
1980
6*
Leitz Summilux-M [Lens design by Dr. Walter Mandler]
60mm filters, 560g, built-in hood. Same optics 1980-2007.
75mm 1.4
11 815
1998
560g
Leica Summilux-M [Lens design by Dr. Walter Mandler]
60mm filters, 560g, built-in hood. Same optics 1980-2007.
Inscription on 75mm Summilux lenses:
LEICA LENS MADE IN CANADA XXXXXXX
LEITZ SUMMILUX-M from serial no 325XXXX
LEICA SUMMILUX-M from serial no (?) (The information elsewhere that the Leica inscription begins at serial no 395XXXX is wrong, it starts earlier).
75mm 1.4
1998
PDF 6*
Leica Noctilux-M ASPH [Lens design by Peter Karbe]
67 mm filters, built-in lens hood.
75mm 1.25
11 676
-
1055g
APO-Summicron-M ASPH (design by Peter Karbe) 75mm 2.0
2005
PDF 6*
APO-Summicron-M ASPH sepia brown limited edition Lenny Kravitz.
Made for the 'Drifter' limited adition set (125 pcs made) of Leica M 246 Monochrom, 28mm Summicron and 75mm APO-Summicron. Camera and lenses all in sepia brown with brass details.
75mm2.0
2019
Summarit-M 75mm 2.5
2007
ELCAN-M (produced for the US millietary by Leitz Canada) 90mm 1.0
1965
Elmar (rigid) [Lens design by Dr. Walter Mandler]90mm 4.0
1954
ELGAM
Elmar (collapsible) [Lens design by Dr. Walter Mandler]90mm 4.0
11 631
1968
Summicron (I) [Lens design by Dr. Walter Mandler]90mm 2.0
1957
SOOZI
Elmarit [Lens design by Dr. Walter Mandler]90mm 2.8
1974
Summicron (II) [Lens design by Dr. Walter Mandler]90mm 2.0
1959
SEOOM
Elmar (3 element) 90mm 4.0
11 830
1968
Tele-Elmarit (I) black [Lens design by Dr. Walter Mandler]90mm 2.8
1964
Tele-Elmarit (I) chrome [Lens design by Dr. Walter Mandler]90mm 2.8
11 800
1974
Elmar-C 90mm 4.0
1973
Tele-Elmarit (II) [Lens design by Dr. Walter Mandler]90mm 2.8
11 800
1990
Summicron-M (III) black [Lens design by Dr. Walter Mandler]90mm 2.0
1980
Article 6*
Summicron-M (III) silver [Lens design by Dr. Walter Mandler]90mm 2.0
11 137
1998
Elmarit-M black90mm 2.8
1990
Article 6*
Elmarit-M silver90mm 2.8
11 808
2007
APO-Summicron-M ASPH black90mm 2.0
1998
Article/PDF 6*
APO-Summicron-M ASPH silver90mm 2.0
11 885
2004
Macro-Elmar-M black (collapsible)
Set with Macro-Adapter M 14 409 black + angle viewfinder 12 531 + lens shade 12 575 (black)
90mm 4.0
2002
Article /PDF 6*
Macro-Elmar-M silver (collapsible)
Set with Macro-Adapter M 14 409 black + angle viewfinder 12 531
90mm 4.0
11 634
2007
Macro-Elmar-M black (collapsible)90mm 4.0
2014
Summarit-M90mm 2.5
11 646
-
Summilux-M ASPH prototype (26 made)90mm 1.5
2018
Thambar-M re-make of the legendary Thambar lens, now with M mount and 6-bit coding. 90mm 2.2
-
Elmar [Lens design by Dr. Walter Mandler]135mm 4.0
1960
Elmar [Lens design by Dr. Walter Mandler]135mm 4.0
11 850
1965
Elmarit (I) [Lens design by Dr. Walter Mandler]135mm 2.8
1963
Elmarit (II) [Lens design by Dr. Walter Mandler]135mm 2.8
11 829
1973
Tele-Elmar [Lens design by Dr. Walter Mandler]135mm 4.0
1965
Elmarit-M (III) 135mm 2.8
11 829
1997
APO-Telyt-M 135mm 3.4
1998

Leica 6-bit coding for Leica M lenses

Leica M lens 6-BIT CODING
From the introduction of the Leica M8 digital rangefinder all Leica M lenses were with a 6-BIT code so as to tell the camera which lens was mounted. This made it posible for the software to correct the image, and for the lens type to be read from the EXIF file.
Most Leica M lenses can be sent to Leica Camera AG and get the 6-BIT code added. Alternatively one can buy a lens coder kit from a third part and ink code the lens (the Leica Camera AG coding is engraved). Since the introduction of the Leica M9 digital rangefinder another possibility also exist in that one can manually select which lens is on the camra and so get the adjustment and info the 6-BIT code else would give the camera.
In this list the lenses that can be 6-bit coded is marked 6*
-

Leica M macro kits

Leica M macro adapter rings and optics
Leitz macro ring(sits between body and lens)
Silver finish made of brass. Can be stacked.
1975
Leica Macro-Adapter-M (sits between body and lens)
Adjustable macro adapter
2014
Leica Macro-Adapter M (sits between body and lens)
Came with the Leica 90mm Macro-Elmar-M lens no 11 634
14 409
2014
Leica Elpro 52mm Close-Up Lens (sits in front of lens)
with 49 and 46mm step-up Rings. For Leica M and Leica TL lenses
2019

Visoflex

'Visoflex' lenses were made for Leicaflex and Leicaflex SL and Leicaflex SL2 ('Visoflex' lenses with R bayonet; mainly known as Telyt-R lenses) and for Leica rangefinder cameras (Visoflex lenses with screw-threat and using a Visoflex device between the camera and the lens (see definitions in the bottom of this site)).
Can also be used for R3, R4, R6, R6.2, R7, R8, R9 (and Digilux 3 with an adapter). Some of these lenses are repeated in the R-lens section below for clarifying purposes.
Elmar 65mm 3.5
1960
Elmar-V 65mm 3.5
11 162
1984
Hektor 125mm 2.5
1954
HIKOO
Telyt 200mm 4.5
1960
Telyt 200mm 4.0
1959
TELOO
Telyt-V280mm 4.8
11 914
1984
Telyt (I) 400mm 5.0
1936
TLCOO
Telyt (II) 400mm 5.0
1966
Telyt 500mm 5.6
1966
Telyt-R (1971-1995) Telyt (1971-1984)400mm 6.8
11 966
1984/95
Telyt-R (with shoulder stock) (no cam) w/Televit focus device560mm 5.6
1966
Telyt-R (1971-1995 with shoulder stock) Telyt (1971-1984)560mm 6.8
11 864
1984/95
2,330 g

Leica R lenses

R-lenses for R3, R4, R6, R6.2, R7, R8, R9 (can also be used on Digilux 3 with an adapter).
Can be used on Leicaflex, SL and SL2 unless the lens has a ROM contact.
Most are compatible with Leica M Type 240 using a R-to-M adaptor and EVF digital viewfinder for focusing
Super-Elmar-R (Zeiss) 15mm 3.5
1980
Super-Elmarit-R ASPH (Schneider) 15mm 2.8
11 326
2009
750 g
Elmarit-R 'fish-eye' (Minolta) 16mm 2.8
1975
Elmarit-R (I) (E82 filters) [Lens design by Dr. Walter Mandler]19mm 2.8
11 225
1990
500 g
Elmarit-R (II) (built-in filters) [Lens design by Dr. Walter Mandler]19mm 2.8
1990
Super-Angulon-R (Schneider) (can only be used with mirror up)21mm 3.4
11 803
1968
228 g
Super-Angulon-R (Schneider) 21mm 4.0
1968
Elmarit-R (Minolta) 24mm 2.8
11 221
2006
400 g
Summilux-R (only a few prototypes exist, never produced)28mm 1.4
Elmarit-R (I) 2-cam or 3-cam (lens hood #12509) 28mm 2.8
1970
Elmarit-R (I) olive-green 'safari' (for R3 Safari)28mm 2.8
11 204
1994
275 g
Elmarit-R (II) (built-in lens hood) 28mm 2.8
1994
PC Super-Angulon-R (Schneider) 28mm 2.8
11 812
2009
Elmarit-R (I) black (lens hood #12564) 35mm 2.8
1964
Elmarit-R (I) silver chrome (lens hood #12564) (ca. 200 made)35mm 2.8
11 201
1965
PA Curtagon-R (Schneider) (lens hood #12509)35mm 4.0
1970
Summicron-R (I) (lens hood #12509)35mm 2.0
11 227
1976
510 g
Elmarit-R (II) (lens hood #12509) 35mm 2.8
1973
Elmarit-R (III) (built-in lens hood) 35mm 2.8
11 231
1979
305 g
Summicron-R (II) (built-inlens hood) serial 2791417 and above
[Lens design by Dr. Walter Mandler]
35mm 2.0
1977
Summilux-R (built-inlens hood)35mm 1.4
11 143
2009
690 g
Noctilux-R (few prototypes exist, never produced)52mm 1.2
Summicron-R (I) (chrome; only 200 produced)
[Lens design by Dr. Walter Mandler]
50mm 2.0
1964
Summicron-R (I) (lens hood #12564)
[Lens design by Dr. Walter Mandler]
50mm 2.0
11 228
1976
390 g
Summilux-R (I) (lens hood #12508) to serial 280650050mm 1.4
1970
Summilux-R (II) (olive-green 'safari' for the R3 Safari) 50mm 1.4
1980
400 g
Summilux-R (II) (gold for the R3 gold) (ca. 1,000 made) 50mm 1.4
1979
Summilux-R (II) (built-in lens hood) 3-cam50mm 1.4
11 875
1998
400 g
Summicron-R (II) (olive-green 'safari' for the R3 Safari) 50mm 2.0
1976
Summicron-R (II) (built-in lens hood)
[Lens design by Dr. Walter Mandler]
50mm 2.0
11 215
2009
290 g
Summilux-R (III) (built-in lens hood)50mm 1.4
1998
Macro-Elmarit-R (I) 2-cam or 3-cam60mm 2.8
11 205
?
390 g
Macro-Elmarit-R (II) s/n 3013651 or greater 60mm 2.8
1972
Elcan-R APO (special series for US Military; only 25 produced)
[by Dr. Walter Mandler]
75mm 2.0
C-341
1965
Summilux-R [Lens design by Dr. Walter Mandler]80mm 1.4
1980
Elmarit-R (I) (built-in lens hood) [by Dr. Walter Mandler]90mm 2.8
11 229
1983
500 g
Summicron-R (I) (built-in lens hood, 2-pieces) [by Dr. Walter Mandler]90mm 2.0
1970
Summicron-R (II) (serial 3381677 or greater) (1-piece lens hood)
[by Dr. Walter Mandler]
90mm 2.0
11 219
2000
520 g
Elmarit-R (II) (built-in lens hood) [by Dr. Walter Mandler]90mm 2.8
1983
Apo-Summicron-R ASPH (III)90mm 2.0
11 350
2009
520 g
Macro-Elmar-R (1:1 reproduction with bellows) (no cams)100mm 4.0
1978
Macro-Elmar-R (1:3 reproduction) (3-cam)100mm 4.0
11 232
1995
530 g
Apo-Macro-Elmarit-R 100mm 2.8
1987
Article
PDF

Erwin Puts PDF
Elmarit-R (I) [by Dr. Walter Mandler]135mm 2.8
11 111
1968
660 g
Elmarit-R (II) (s/n 3381676 and above) [by Dr. Walter Mandler]135mm 2.8
1968
Elcan-R APO (ca. 25 produced for US Military)
[by Dr. Walter Mandler]
180mm 3.4
C-303
1965
Elmarit-R (I) (1, 2 or 3 cam)180mm 2.8
1968
Apo-Telyt-R [by Dr. Walter Mandler]180mm 3.4
11 240
1998
750 g
Elmar-R 180mm 4.0
1976
Elmar-R olive-green 'safari' (for R3 Safari)180mm 4.0
11 922
1996
540 g
Elmarit-R (II) (3 cam)180mm 2.8
1980
Apo-Summicron-R 180mm 2.0
11 354
2006
Apo-Elmarit-R (I) 180mm 2.8
1998
Apo-Elmarit-R (II) 180mm 2.8
11 357
2009
970 g
Telyt-R (I) (2 or 3 cam) [by Dr. Walter Mandler]250mm 4.0
1970
Telyt-R (II) (3 cam) [by Dr. Walter Mandler]250mm 4.0
11 925
1994
1,230 g
Apo-Telyt-R (I) (E112 filters)280mm 2.8
1984
Apo-Telyt-R (II) (serial 3492511 or greater) (Series 5.5 filters)280mm 2.8
11 245
1996
2,800 g
Apo-Telyt-R 280mm 4.0
1993
Apo-Telyt-R Module 280mm 2.8
11 846
2009
3,740 g
Telyt-R (3 cam) [by Dr. Walter Mandler]350mm 4.8
1980
Telyt-R (with shoulder stock) (no cam) with Televit grip400mm 5.6
1968
2,350 g
Telyt-R (with shoulder stock) (no cam)400mm 6.8
1968
Apo-Telyt-R (catalog number 11 260 or 11 256)400mm 2.8
11 256
1996
5,800 g
Apo-Telyt-R Module 400mm 2.8
1996
Apo-Telyt-R Module 400mm 4.0
11 857
2009
3,860 g
Elcan-R APO (special series for US Military) 450mm 5.6
1965
MR-Telyt-R compact mirror tele lens (Minolta) (3 cam)500mm 8.0
11 243
1996
750 g
Telyt-R (with shoulder stock) (no cam) w/Televit focus device560mm 5.6
1966
Telyt-R (with shoulder stock) (no cam) 560mm 6.8
11 864
1995
2,330 g
Apo-Telyt-R Module 560mm 4.0
1996
Apo-Telyt-R Module 560mm 5.6
11 858
2009
4,060 g
Telyt mirror tele prototype600mm 5.0
Telyt-S 800mm 6.3
11 921
1997
6,850 g
Apo-Telyt-R Module 800mm 5.6
1996
Apo-Telyt-R (two prototypes and one final lens was made for Sheikh Saud Al Thani of Qatar. A prototype is on display in the Leica Factory in Wetzlar) 1600mm 5.6
2006
Leica ROM contacts
For Leica R lenses not already fitted with the digital ROM contacts, these can be added at Leica. The ROM contact contains detailed information about the lens for the lightmeter to use so that metering and exposure can be adjusted down to 1/10 f-stop.
The ROM contact also tell the DMR digital back which lens is mounted so that it can be read in the EXIF files.
1996

Leica Vario-R zoom lenses

Vario R zoom lenses for R-lenses for R3, R4, R6, R6.2, R7, R8, R9 (can also be used on Digilux 3 with an adapter).
Can be used on Leicaflex, SL and SL2 unless the lens has a ROM contact .
Most are compatible with Leica M Type 240 using a R-to-M adaptor and EVF digital viewfinder for focusing
Vario-Elmar-R ASPH 21-35mm 3.5 - 4.0
11 274
2009
500 g
Vario-Elmar-R (I) (Sigma) 28-70mm 3.5 - 4.5
1990
Vario-Elmar-R (II) (Sigma) 28-70mm 3.5 - 4.5
11 364
2006
Vario-Elmarit-R ASPH 28-90mm 2.8 - 4.5
2004
Vario-Elmar-R (I) (Minolta) (Filter E60)35-70mm 3.5
11 244
?
Vario-Elmar-R (II) (serial 3393301 or greater) (Filter E67)35-70mm 3.5
1983
Vario-Elmar-R (Kyocera) 35-70mm 4.0
11 277
2009
400 g
Vario-Elmarit-R ASPH (only were 200 made) 35-70mm 2.8
1998
PDF
Article
Angénieux-Zoom-R 45-90mm 2.8
11 930
1982
Vario-Elmar-R (Minolta) 70-210mm 4.0
1984
Vario-Apo-Elmarit-R 70-180mm 2.8
11 279
2009
1,870 g
Vario-Elmar-R (Minolta) 75-200mm 4.5
1978
Vario-Elmar-R (Minolta) 80-200mm 4.5
11 224
1978
780 g
Vario-Elmar-R (Kyocera) 80-200mm 4.0
1996
Vario-Elmar-R 105-280mm 4.2
11 268
2006

Leica R adapters

Leica R adapters to other systems as RED, Nikon, Blackmagic, Canon, 4:3, etc
Leica R-Adapter M
14 642
-
3rd part R to M adapters are available as well
2014
Leica R to RED adapter
Leica R to Blackmagicor Blackmagic Pocket
2014
Leica R to Nikon adapter (rebuild of Leica lenses by Leitax)
Leica R to Canon adapter
2003

Leica R Extenders

Ways to make tele lenses more tele
Extender-R X2 (exist as 1-cam or, 3-cam)
(for use with Leica R lenses of 50mm focal length and longer and for lens speeds from f2.0. Vignetting is to be expected with 400m and longer lenses. The 50mm f1.4 and 80mm f1.4 can also be used. Thus says the manual; however, in practical use this older 2X extender reduces quality of the picture, mainly light surfaces will 'glow' (or simply: This 2X extender will blur your shots to some degree. The newer APO-extenders below here does not).
minus 2
f-stops
1980
Apo-Extender-R X1.4 (exists with or withour ROM contacts)
(for use with 180mm f2.0 APO, 180mm f2.8 APO, 280mm f2.8 APO, 280mm f4.0 APO, 400mm f2.8 APO, 400mm f4.0 APO, 560mm f4.0 APO, 560mm f5.6 APO, 800mm f5.6 APO 28-90mm f2.8-4.5 and 105-280mm f/4.2).
minus 1
f-stop
11 249
2007
Apo-Extender-R X2 (exists with or withour ROM contacts)
(for use with 50mm f1.4. 50mm f2.0, 60mm f2.8, 80mm f/1.4, 90mm f2.0 APO ASPH, 100mm f2.8 APO, 180mm f2.0 APO, 180mm f2.8 APO, 280mm f2.8 APO, 280mm f4.0 APO, 400mm f2.8 APO, 400mm f4.0 APO, 560mm f4.0 APO, 560mm f5.6 APO, 800mm f5.6 APO and 28-90mm f2.8-4.5, 35-70mm f4.0, 70-180mm f2.8 APO, 80-200mm f4.0 and 105-280mm f2.4).
minus 2
f-stops
1992

Leica L-Mount autofocus lenses and
Leica TL '1.5x crop' autofocus lenses

The Leica L-Mount lenses are full-frame lenses for Leica SL, Leica SL2, Panasonic S and Sigma fp cameras.
The Leica TL lenses are APS-C '1.5x crop' lenses that fits the above mentioned cameras, as well as Leica T/TL/TL2 and Leica CL, but will only show the APS-C area te4ain.
To be updated..
Summilux-TL black (APS-C lens acts as a 52mm lens)35mm 1.4
11 084
-
128g
Summilux-TL silver (APS-C lens acts as a 52mm lens)35mm1.4
2015

Leica S autofocus lenses

S-lenses for Leica S2 and Leica S.
To be updated..
(CS= Central Shutter)
Super-Elmar-S ASPH autofocus 24mm 3.5
2011
Elmar-S TILT-SHIFT CS autofocus 30mm 2.8
Vario-Elmar-S ASPH autofocus zoom 30-90mm 3.5 - 5.6
2011
Summarit-S ASPH CS autofocus 35mm 2.5
Elmarit-S ASPH CS autofocus 45mm 2.8
2013
Summarit-S ASPH CS autofocus 70mm 2.5
Elmar-S ASPH autofocus 100mm 2.8
2011
Summicron-S ASPH autofocus 100mm 2.0
APO-Macro-Summarit-S CS autofocus 120mm 2.5
2011
TS-APO-Elmar-S autofocus (Tilt Shift lens)120mm 5.6
APO-Elmar-S CS autofocus180mm 3.5
2010
APO-Tele-Elmar-S autofocus 350mm 3.5
LeicaS camera to Leica R lens adapter (this was mentioned as a very certain item to be had with the Leica S2 when the Leica S2 was introduced in 2008 though it is uncertain if Leica will actually produce it)
?

Leica 4:3 lenses

Leica 4:3 'Four Third' bayonet lenses for Leica Digilux 3, Panasonic Lumix DMC-L1, Olympus E-1, E-300, E-500, E-330, E-400, E-410, E-510, P-1
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Leica D Vario-Elmarit ASPH 14–50mm 28 - 100mm 2.8 - 3.5
Leica D Vario-Elmarit ASPH 14–150mm 28 - 300mm 3.5 - 4.5
2007
Leica D Summilux ASPH 25mm 50mm 1.4
525 g

Leica lenses on Panasonic

Leica lenses on other brands
Panasonic video camera recorders use Leica branded lenses.
Panasonic projectors uses Leica lenses
Panasonic digital cameras use Leica lenses,which means Leica specified them, delivered the grinding machines to be used, and Panasonic does the production and quality control. In cases where Leica make a similar model of the lens (as in Leica D-Lux), those same lenses on the Leica bodies are made by Leica with Leica quality control.
Leica projector lenses
To be updated at a later point
Leica enlarger lenses
To be updated at a later point
Leica Loupes
To be updated at a later point

Leica Cine lenses

Leica C lenses for cine cameras. Produced by CW-Sonderoptic (Cine Wetzlar) in Wetzlar
Leica Summicron C cine lenses24mm 3.5
2011
Leica Summilux C cine lenses30mm 2.8
Adapter C to M (third party) 30-90mm 3.5 - 5.6
2011
Read article for more lens versions. Also some of the M-lenses has been made available for Cine use.

More Leica lens litterature

If you are looking for the Leica Lens Compendium (2001) or the Leica Compendium (2012 print edition and 2014 digital edition) by Erwin Puts, please wisit his website for more info, or try search eBay for his books (usually sold out from the publisher rather fast, so they become collectors items).
You may download a free PDF version of the 2002-version of the
Erwin Puts: 'Leica M Lenses Their Soul and Secrets'
from overgaard.dk
Erwin Puts:
'Leica Compendium'

Limited Print Version
2012
The Company - The Cameras - The Lenses
Available from eBay
or Amazon.com
Erwin Puts:
'Leica Compendium'
Digital Version Compact
PDF/eBook
2014
The Company - The Cameras - The Lenses
Available from Erwin Puts website
as download
Erwin Puts:
Leica Lens Compendium
2001
The Lenses 1925 - 2000.
Available from eBay
or Amazon.com
Erwin Puts:
'Leica M Lenses
Their Soul and Secrets'

2002
You may download a free PDF version of the 2002-version of this from
from overgaard.dk
It was originally written by
Erwin Puts and made available
by Leica Camera AG
Leica M System
Digital version
2007
Leica MP, Leica M7, Leica M8
Leica a la carte
Lenses & Acessories
Free download from overgaard.dk
Leica Lens Book
Digital version
2005
Leica M system, Leica R system
Leica brochure of lenses as 2005
Free download from overgaard.dk
Leica Lens Serial Number vs. Production Year
This is the list of Leitz and Leica lens serial numbers and which year that lens was approximately produced.
You may also look up a specific lens serial number at the French Summilux.net
Start S/N
End S/N
Production year
156 001
195 000
1933
195 001
236 000
1934
236 001
284 600
1935
284 601
345 000
1936
345 001
416 500
1937
416 501
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490 000
1938
490 001
538 500
1939
538 501
565 000
1940
565 001
582 294
1941
582 295
593 000
1942
593 001
594 880
1943
594 881
595 000
1944
595 001
601 000
1945
601 001
633 000
1946
633 001
647 000
1947
647 001
682 000
1948
682 001
756 000
1949
756 001
840 000
1950
840 001
950 000
1951
950 001
1 051 000
1952
1 051 000
1 124 000
1953
1 124 001
1 236 000
1954
1 236 001
1 333 000
1955
1 333 001
1 459 000
1956
1 459 001
1 548 000
1957
1 548 001
1 645 300
1958
1 645 301
1 717 000
1959
1 717 001
1 827 000
1 827 001
1 913 000
1961
1 913 001
1 967 100
1962
1 967 101
2 015 700
1963
2 015 701
2 077 500
1964
2 077 501
2 156 300
1965
2 156 301
2 236 500
1966
2 236 501
2 254 400
1967
2 254 401
2 312 750
1968
2 312 751
2 384 700
1969
2 384 701
2 468 500
1970
2 468 501
2 503 100
1971
2 503 101
2 556 500
1972
2 556 501
2 663 400
1973
2 663 401
2 731 900
1974
2 731 901
2 761 100
1975
2 761 101
2 809 400
1976
2 809 401
2 880 600
1977
2 880 601
2 967 250
1978
2 967 251
3 013 650
1979
3 013 651
3 087 000
1980
3 087 001
3 160 500
1981
3 160 501
3 249 100
1982
3 249 101
3 294 900
1983
3 294 901
3 346 200
1984
3 346 201
3 383 200
1985
3 383 201
3 422 890
1986
3 422 891
3 455 870
1987
3 455 871
3 478 900
1988
3 478 901
3 503 150
1989
3 503 151
3 540 467
1990
3 540 468
3 583 830
1991
3 585 831
3 610 680
1992
3 610 381
3 644 475
1993
3 644 476
3 677 030
1994
3 677 031
3 730 290
1995
3 730 291 3 770 920 1996
3 770 930 3 818 624 1997
3 818 625 3 857 849 1998
3 857 850 3 882 996 1999
3 882 997 3 912 247 2000
3 912 248
3 941 497
2001
3 941 498 3 970 748 2002
3 970 748 3 999 999 2003
4 000 000 4 010 600 2004
4 010 601 4 025 900 2005
4 025 901 4 034 900 2006
4 034 901 4 057 000 2007
4 057 001 4 080 000 2008
4 080 001 4 100 0002009
4 100 0014 115 0002010
4 115 0014 130 0002011
4 130 0012012
circa 4 400 xxx2013
2014
Definitions
Courtesy of Oxford American and www.nemeg.com
See my more complete list of definitions at my article Leica Definitions
anastigmat an anastigmatic lens system (Leitz Anastigmat (Leitz I) from 1920 with a fixed 50mm f3.5 lens. Produced again as a retro camera in 2000-2002).
anastigmatic (of a lens system) constructed so that the astigmatism of each element is canceled out.
ORIGIN late 19th cent.: from an- 1 [not] + astigmatic (seeastigmatism):
astigmatism a defect in the eye or in a lens caused by a deviation from spherical curvature, which results in distorted images, as light rays are prevented from meeting at a common focus.
DERIVATIVES
astigmatic
ORIGIN mid 19th cent.: from a-- [without] + Greek stigma 'point' + -ism.
Aperture
The f/ stop on the camera that regulates how much light passes through the lens. On a f/1.4 lens the lens is fully open' at f/1.4, at f/2.0 the aperture inside the lens make the hole through the lens smaller so only half the amount of light at f/1.4 passes through. For each f/-step you halve the light.
The aperture is basically the focal length divided with the f/-stop = size of the hole (90mm divided with f/2.0 = the hole is 45 mm).
ORIGIN late Middle English : from Latin apertura, from apert- ‘opened,’ from aperire ‘to open.’
APO
stands for 'apochromatically corrected' lenses. In most lenses, optical design concentrates the focus of blue light and green light into a single plane, but red light falls slightly into another plane of focus. Red subjects, therefore, would be ever so slightly out of focus compared to blue and green subjects in the same frame. In APO lenses, the design and expense has been put in to making red light focus on the same plane as blue and green. Under a microscope you would see that all light subject is now in focus, creating a sharper image overall. Many manufacturers offer APO designs, but in most of these only the very center of the lens is APO corrected. Leica prides itself on making most of the frame APO corrected.
ASPH
… stands for 'aspheric design'. Most lenses have a spherical design - that is, the radius of curvature is constant. These are easy to manufacture by grinding while 'spinning' the glass. This design however restricts the number of optical corrections that can be made to the design to render the most realistic image possible. ASPH lenses, however, involve usually 1 element that does *not* have a constant radius of curvature. These elements can be made by 1) expensive manual grinding, 2) molded plastic, 3) Leica's patented 'press' process, where the element is pressed into an aspherical ('non-spherical') shape. This design allows the manufacturer to introduce corrections into compact lens designs that weren't possible before. Practically, the lens performs 'better' (up to interpretation) due to increased correction of the image, in a package not significantly bigger than the spherical version.
There is another Aspherical lens manufacture technique: an uneven coating layer is applied to a spherical lens. The coating is thicker on the edges (or on the center, depending). Canon 'Lens Work II' calls these 'simulated' aspherical lenses. Simulated and Glass-Molded (GMo) asphericals show up in non-L Canon lenses, while the L lenses have actual ground aspheric elements.
Beam Splitter
Describes the way light travels when it enters the R series Leica SLR bodies when viewing and composing. The light beam is split into two - one part goes through the semi-silvered mirror to the light meter at the base of the mirror box, the rest is reflected upwards through the pentaprism to the viewfinder.
It is because of this 'beam splitting' that you have to use Circular Polarizing filters on R cameras in order to obtain correct light meter readings. With regular linear pol. filters, phase cancellation effects occur when the light travels through the mirror, resulting in inaccurate and unpredictable readings.
Bokeh
the visual quality of the out-of-focus areas of a photographic image, especially as rendered by a particular lens : It's a matter of taste and usually photographers discuss a 'nice' or 'pleasant' bokeh (the out-of-focus area is always unsharp why the quality discussed is if one likes the way it renders or not by a particular lens).
ORIGIN from Japanese 'bo-ke' which mean 'fuzziness' or 'blur.'
Here is an example of bokeh:
Bokeh with 50mm Summicron-M (II) f/2.0 @ f/2.0 on Leica M9
Compur
Curently no origin known. Leica I Compur camera (1926-1941) and Leica Summicron (II) Compur 50mm f2.0 lens(1959).
CS
Central Shutter, as in the Leica S lenses for the Leica S2 where a shutter is located in the lens itself.
DOF (Depth of Field)
How big a distance in an image that is acceptable sharp.The DOF is determined by the subject distance (the farther away, the larger area is sharp; the closer the focus is, the less of the lage is sharp), the lens aperture (the depth of field is narrow at f/1.4 and larger at f/5.6) and the focal length of the lens (tele lenses has very narrow depth of field whereas wide angle lenses has a wide depth of field) and film or sensor size (small-sensor cameras has a wide depth of field wheras medium format or large format cameras has a very narrow depth of field).
The DOF is usually indicated on the lens by the focus barrel where one can see how large the DOF will be at different f/-stops for that lens.
As an example, a Leica 21mm Super-Angulon-M f/3.4 lens is sharp all over the focus field from 2 meter to infinity when set at a distance of 3 meters at f/3.4.
Here is an example of narrow DOF where only a few milliemeters are sharp:

Leica 50mm Nictilux-M f/1.0 @ f/1.0 on a Leica M9.
Elcan
Ernst Leitz Canada, established 1952, was and still is the military/industrial branch of the old 'Ernst Leitz Canada'. In 1998, the ELCAN plant was sold to Raytheon (USA), who bought it from its previous owner, Hughes Aircraft Co.
Elcan-R is also the name of s series of lenses made in the 1960ies and early 1970ies, as the U.S. Navy High Resolution Small Format Camera System during the Viet Nam war.
Elmar
Refers to the maximum lens aperture - here f3.5 . Historically derived from the original 1925 50mm f3.5 Elmax lens, which was an acronym of Ernst Leica and Professor Max Berak, designer of the original lenses. Later that year the 50mm f3.5 Elmar superceded the Elmax, which was discontinued due to its complexity and high cost of manufacture.
Elmarit
Refers to the maximum lens aperture - here f2.8 . The name is obviously derived from the earlier (and slower) 'Elmar' designation. Not every f2.8 lens is called an 'Elmarit' though, the most obvious current exception being the 50mm f2.8 Elmar-M collapsible lens which for nostalgia and marketing reasons has kept the original 1930's Elmar name (the 50mm f3.5 collapsible Elmar, manufactured 1930-59, was one of Leica's most famous and popular lenses).
Elmax
Elmax = E. Leitz + Max Berak. Ernst Leitz was the founder of Ernst Leitz Optical Industry which later became Leica. Professor Dr. Max Berak was employed at Leica in 1912 and was the architect of the first Leica lens which Ernst Leitz asked him to design for the 'Barnack's camera' (the 1913-prototype named after Oscar Barnack who invented it). The lens was a f/3.5 50mm and was known as the Leitz Anstigmat and later the Elmax.
f/
the ratio of the focal length (for example 50mm) of a camera lens to the diameter of the aperture being used for a particular shot. (e.g., f8, indicating that the focal length is eight times the diameter: 50mm/8 = 6,25 mm).
ORIGIN early 20th cent.: from f (denoting the focal length) and number
f-stop
One f-stop is a doubling or halving of the light going through the lens to the film, by adjusting the aperture ring. Adjusting the f-setting from f 1.4 to f.2.0 is halving the light that goes through the lens. Most Leica lenses has half f-stops to enable the photographer to adjust the light more precisely.
Focal length
The distancebetween the nodal point of a lens and the focal plane (the film or sensor in the camera). That is the construction definition based on simple lens systems where a 400mm lens would be 400mm long and a 50mm lens would be 50mm long. Today one call it effective focal length (EFL) as a 400mm lens is not nessesarily 400mm long due to optical constructions that can make it shorter. The 35-420mm zoom on the Leica V-Lux 1 is for example only ca. 135 mm long.
For photographers it's more interesting that focal length indicates if it is a wideangle lens (ex. 35mm), normal lens (50mm) or tele lens (ex. 400mm).
A 35mm lens is a ca. 54° viewing angle horizontal, a 400mm lens is ca. 5° viewing angle horizontal, etc. This is the practical, usable information about focal lengths a photographer can use.
Four Thirds
The Four Thirds System is a standard created by Olympus and Kodak for digital SLR camera design and development.
The system provides a standard which, with digital cameras and lenses available from multiple manufacturers, allows for the interchange of lenses and bodies from different manufacturers. Companies developing 4:3 cameras and/or lenses are Fuji, Kodak, Leica (Leica Digilux 3), Olympus, Panasonic, Sanyo, Sigma. See www.4-3system.com
A further development in this was Micro Four Thirds Systems.
FF (Full Frame)
In sensors full frame usually refers to sensors the size of a full 24x36mm frame where one capture the same frame size as with 35mm film. The 'full frame' technically deifinition thouhg is a sensor that camtures the full frame in one go (as the early sensors as in Leica S1 scanned the image/senor over a period of time).
Hektor
Refers to the maximum lens aperture - usually f2.5 . The name was apparently taken from the name of lens designer Professor Max Berek's dog. See Leica History article.
Kyocera
Sub-manufacturer of lenses. Has made certain lenses for Leitz, Carl Zeiss, etc.
Leica
LEItz CAmera. Founded 1849 in Wetzlar, Germany
Lens hood
a tube or ring attached to the front of a camera lens to prevent unwanted light from reaching the film.
ORIGIN Old English hod; related to Dutch hoed, German Hut 'hat,' also to hat .
M
(as in 'M3', 'M6', 'M7' etc.)
… stands for 'Messucher', which is German for 'Viewfinder'. The '3' in M3 was chosen because of the three bright line finders for the 50, 90 and 135 mm lenses. Later the numbers of the M cameras were more or less chosen to follow each other.
'Meßsucher'. It is always correctly written with the 'ß'. There are technically not three 's', rather the 'ß' and one 's' because it is a word constructed by the combining of two precise words.
M-body evolution in chronological order:
M3 - MP - M2 - M1 - MD - MDA - M4 - M5 - CL - MD-2 - M4-2 - M4-P - M6 - M6 TTL - M7 - MP - M8 - M8.2 - M9 - M9-P - MM - ME (Type 220) - Leica M (Type 240) .
Mandler, Dr. Walter (1922 - 2005)
Legendary Leica lens designer. Read more in Leica History.
MP
Stands (also) for Mechanical Perfection (Leica MP).
MF (Medium Format)
No.
Number, on this site Leica catalog numbers or order numbers. Some the numbers changed depending on the number of cams in the lens:The Elmarit-R f2.8/135mm started life as No. 11 111, however when fitted with 2 cams for the SL became No. 11 211, yet another No. for the 3 cams lens and a fourth number for 3 cam only at the end of its life. Number changes also applied to M lenses depending on whether they were screw-thread, bayonet or for M3 with “spectacles”.
Thus the No. in this list is a guideline but not a comlete list of existing catalog numbers.
Noctilux
Refers to the maximum lens aperture - here f1.0 . 'Nocti' for nocturnal (occurring or happening at night; ORIGIN late 15th cent.: from late Latin nocturnalis, from Latin nocturnus ‘of the night,’ from nox, noct- ‘night.), 'lux' for light. The Leica Noctilux 50mm f1.0 was famous for enabling the photographer to take photos even there is onl candlelightsto lit the scene and was replaced by the f/0.95 Noctilux-M ASPH 50mm in 2009.
Shoulder Stock
A Leitz mechanism attached to the (tele-) lens and held against one's shoulder when photographing, so as to stabilize the tele lens when using handheld without a tripod or monopod. The shoulder stock is attached to the lens same way as a tripod or monopod.
SLR abbreviation for Single-Lens Reflex; the lens that forms the image on the film also provides the image in the viewfinder via a mirror.
Summar - (or a story of name development)
The 1933 lens 50mm f2.0 Summar: It started out asSummar(f2.0), then the Summitar (f2.0 in 1939), then the Summarex(f1.5 in 1948), then the Summaron(35mm f.2.8 in 1948, then later f2.0, f3.5 and f5.6 lenses), then the Summarit (f1.5 in 1949 and used again for the 40mm f2.4 on the Leica Minilux in 1995, then again for the 35mm, 50mm, 75mm and 90mm Summarit f2.5 in 2007) then the Summicron(f2.0 in 1953 for the collapsible 50mm) and finally the Summilux(50mm f1.4 in 1959).
However, Leitz in Wetzlar made the Mikro-Summar 42mm f4,5 around 1910 for their Leitz microscopes (Leitz was orignally a microscope producer, see history site). Leitz also made a Mikro-Summar 35mm F:4,5.
ORIGIN of Summar is unknown.
Leitz Wetzlar Mikro-Summar 42mm f4.5 lens anno 1910 might be the first lens carrying the name Summar.
Summarit
Refers to the maximum lens aperture - here f1.5 .
Summicron
Refers to the maximum lens aperture - here f2.0 . There are many guesses how this name came about, a popular one being that the 'summi' came from 'summit' (summit means the highest point of a hill or mountain; the highest attainable level of achievement) while the 'cron' came from 'chroma' (ie. for colour). Not so: The name (Summi)cron was used because the lens used Crown glass for the first time, which Leitz bought from Chance Brothers in England. The first batch of lenses were named Summikron (Crown = Krone in Deutsch). The Summi(cron) is a development from the originalSummar (the 50mm f2.0 lens annoy 1933)
Summilux
Refers to the maximum lens aperture - here f1.4 , '-lux' added for 'light' (ie. the enhanced light gathering abilities).
Telyt
Lens nomenclature - short-hand for ' telephoto ' (tele- is a combining form, meaning to or at a distance and used in names of instruments for operating over long distances : telemeter.
ORIGIN: from Greek tele- ‘far off.’
Televit
rapid-focus device from Leitz that was made from 1966 through 1973, in both R and Visoflex. It was originally designed for use with the 400mm f5.6 Telyt and 560mm f5.6 Telyt. Beginning in 1970 (with serial 2340953) the Televit could also be used with the 280mm f4.8 Telyt-V by using adapter 14138.
Thambar
Origin of name currently unknown. Leitz Thambar 90mm f.2.2. At most about 3000 were made, probably in eight batches, starting with 226xxx (actually built in 1934) and going through 283xxx, 311xxx, 375xxx, 416xxx, 472xxx, 511xxx, and 540xxx (about 1939/1940).
Today they are staggeringly rare and extremely expensive: you would be lucky to get away with much less than $1500 for the lens without accessories (center spot, shade, cap), and you could easily pay twice that for a good, complete example with clean glass.
Known to be a legendary soft-focus portrait lens that 'make a woman look 10 years younger.' A glass filter with a black spot in the middle, about 13mm (1/2”) in diametercuts out the central (sharpest) part of the image and makes everything even softer.
(Source: Roger W. Hicks)
Here are some advice from a Thambar user, Theodor Heinrichsohn, who have used it mainly for portraits using an Leica M5 and Leica M6:
1. The results are more or less unpredictable. Best practice is to shoot many times and pick the one you like best.
2. Shots against the light are generally more effective than with the light behind you.
3. The most pleasing results to my taste were with center filter at medium apertures. With luck portraits took on the 'dreamy' look that the lens is famous for.
4. I never used the Thambar for anything except portraits.
The lens has been rumored to be slightly radioactive due to the process of producing the glass.
Here are some sample photos of Koichiro Itamura Photography.
Here are some more sample images from Blue Penguin.
Here is my article and test photos of the Thambar
Viewfinder a device on a camera showing the field of view of the lens.
1) A built-in viewfinder in a camera that simply show the frame you get when you look through the viewfinder.
2) A rangefinder viewfinder which is also used to focus the lens. In Leica M cameras two pictures has to meet and lay 'on top of each other' for the picture to be in focus.
3) An external viewfinder, usually on top of the camera in the flash shoe, so as to show the field of view of lenses vider than what the built-in viewfinder can show (15mm, 21mm, 24mm, 28mm etc viewfinders exist)
4) Very simple 'aiming-devices' on top of a camera that is simply a metal frame without any optics. Just a frame, as for example very old cameras (the original Leica), or when using cameras in diving where you can't look through the camera.
Visoflex
A device mounted between the Leica M camera and a lens, containing a mirror mechanism like in a SLR camera, thus allowing the M user to 'preview' a picture using a tele lens larger than 135mm which is the maximum covered by the frame lines in the Leica viewfinder.
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· © Copyright 1996 - 2014 - Thorsten Overgaard · Hong Kong · New York · Denmark · Tel (+45) 4011 2996


Leica 50mm Summicron Dual Range

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